عنوان مقاله [English]
The Other Eastern Image in the Travelogues of Ghadat Alsaman Case Study: The Book of Shahvat Al Ajnahatچکیده [English]
An imagology examines the image of "other" in the literary text and its interaction with "I" (= self). In fact, self-knowledge is possible through other, and the sense of identity in its confrontation with it appears and the part of this interaction in the literature of travel magazines . Ghadat Al Saman has published five works in the travel magazine, which are the good material for pictorial studies. This research is based on descriptive-analytical method and socially-comparative methodology to study the first part of the book Shahvat Al Ajnahat. The author devotes this section to the Far East. The purpose of this research is to identify one's identity and the other, hallucinations, and the intellectual deviations. The results indicate that Ghadat Al Saman trip to the far East was after he suffered from spiritual alienation and was able to escape the realities to escape the painful facts and the effort to discover the unknowns to the land, the image of Lebanon and Damascus are flowing from each level and within each scene. Ceman, apparently, before the trip, was influenced by the impressions of Western romantic literary critics of the East of the charming and supermarket; hence, his experience is intuitive and direct experience, and at the same time influenced by earlier images and texts. . Cement is first a literary and then a traveler. He brings elements of his artwork to painful or rewarding realities, and then he gives literary and craftsmanship an artistic and influential image. Nevertheless, he is realistic and, as far as possible, avoids generalization and avoidance. But, as he himself said, it is impossible to judge the cities in a straightforward way, and realism is a lie. Moreover, joining with different nations and living with them are an appropriate context for comparing and adapting for him, and he has been fascinated by the ancient culture and civilization of the far East, and has had the beauty and the creation of it, as he had to condemn the manifestations of backwardness, poverty, drowning in consumerism and the materiality of the far East.