نوع مقاله : مقاله پژوهشی
نویسندگان
1 دانشیار گروه زبان و ادبیات عربی دانشگاه سمنان
2 دکتری زبان و ادبیات عربی، دانشگاه سمنان
3 دانش آموخته کارشناس ارشد زبان و ادبیات فارسی
چکیده
کلیدواژهها
موضوعات
عنوان مقاله [English]
نویسندگان [English]
Piergirou's semiotics, as a discourse-centered theory, analyzes linguistic signs in the text based on the codes to which they belong. Aesthetic codes in the Giro model are based on inductive signs in poetry that deal with imagination and evoked emotions. Therefore, it gives a specific framework to the ambiguous and ambiguous signs that the human mind and psyche are faced with. In this case, the analyst is faced with signs that have become military in form. The color green is one of the poetic inductive and provocative symbols in the poetry of Qaysaraminpour and Amal Danqol, two famous Arab-Persian poets. By creating an imaginative space and creating dual contrasts, it creates beauty and semantic and sometimes multiple meanings. Therefore, this article attempts to analyze the connotation of the color green in the poetry of Amal Danqol and Qaisar Aminpour, relying on a descriptive-analytical method, as a multi-layered linguistic sign in the shadow of Pierre Giraud's aesthetic codes. The results of the research show that the color green is of particular importance in the opinions of the two poets. And in some cases, this color is referred to as a symbol of emotions and feelings of the heart, as well as a spiritual and sacred element. Considering the original meaning of the color green as a symbol of nature, both poets, in comparing the village and the city, while giving the village precedence over the city, consider peace and comfort as among the symptoms of the color word green.
کلیدواژهها [English]
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