Research Paper
الادب المقارن
Mohamma Jafar Asghari; Hossein Bazoubandi
Abstract
Present research, through the application of the seven strategies of André Lefevere (1975), tries to evaluate the success rate of Egyptian Mohammed Noor al-Din Abdul Mon'im and Syrian Nada Hassoun in translation of the poem “Have as Safe Journey” by Mohammad Reza Shafi'i Kadkani ...
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Present research, through the application of the seven strategies of André Lefevere (1975), tries to evaluate the success rate of Egyptian Mohammed Noor al-Din Abdul Mon'im and Syrian Nada Hassoun in translation of the poem “Have as Safe Journey” by Mohammad Reza Shafi'i Kadkani into Arabic. The results show that the poem “Have as Safe Journey”, although is not a classical poem and like traditional poetry does not consider itself bound to observe metre and rhyme at all sections, but in some cases, it is rhythmic; therefore, it is required to use strategies of metrical and rhymed translation in translating some sections. However, Abdul Mon'im and Hassoun have merely used the literal translation strategy in translating this poem. This issue, given that the poet himself is one of the leaders in the field of Arabic-Persian comparative literature, makes the process of migrating ideas through translation difficult
Research Paper
Moosa Parnian; Mahsa Rezaei
Abstract
Nafsat-al-Masdur written by Shahab-al-din Mohammad Zeidari Nasavi is among worthy historic-literary works of the seventh century AH. This book has ornate and technical prose owing to the stylistic features of its period that has numerous Arabic proverbs and poems among figures of speech and spirituality, ...
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Nafsat-al-Masdur written by Shahab-al-din Mohammad Zeidari Nasavi is among worthy historic-literary works of the seventh century AH. This book has ornate and technical prose owing to the stylistic features of its period that has numerous Arabic proverbs and poems among figures of speech and spirituality, citation of verses and narrations. The author has used Arabic poems, proverbs and phrases amids the Persian prose by different devices in order to manifest his proficiency in employing the Arabic language. This paper intends to show the influence of Arabic language and literature on Nafsat-al-Masdur with a stylistic view And investigates the speech and spiritual relation of Arabic Poems and phrases with Persian prose as well as examine how Arabic phrases could make the speech consistent and how this relation is made qualitatively. The results of the study showed how the Arabic language and literature were influenced on Nafsat-al-Masdur and showed that Arabic phrases, on the one hand, could obtain structural position as part of speech such as: subject, object, complement, constraint and laminar in sentence or aesthetically manifest themselves in form of literary figures of speech and rhetoric-artistic usages such as: likeness, allegory, joke, debate, and insult, on the other hand, they have built a semantic bridge to Persian prose by different methods such as: completion, emphasis, Tanzir (counterpart interpolation), description and Combination of meanings.
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Research Paper
Ali Parvaneh; Ali Salimi; Torag Zinivand; Shahriar Hemati
Abstract
Literature has got a social and cultural meaning as all human intellectual and spiritual activities do. The literature of every nation has, therefore, always undergone a change in parallel with the vicissitudes of the society and it accordingly has become the real symbol of the society.
There are many ...
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Literature has got a social and cultural meaning as all human intellectual and spiritual activities do. The literature of every nation has, therefore, always undergone a change in parallel with the vicissitudes of the society and it accordingly has become the real symbol of the society.
There are many parallels and similarities between Arabic and Persian poetry, The need to implement a cash position Ghzamy between literature is required. The study, which was conducted with analytical method Is trying to tell other common points between the two letters from the angle.
This comparative study shows that Arabic and Persian poetries have from the outset been the arena of conflict between male and female linguistic substructures. In the classical period, however, the patriarchal and male language was predominant and the female language the missing longing of the poetry. And if, with such cultural restrictions and the prevailing poetic language of the time, a few females tried to attempt tackling poetry, they, consequently, had no way but writing poem in male language. Owing to having relation with the West and consequently knowing its movements and obtaining more liberty, women of the contemporary era found an opportunity to gain an understanding of their own situation and consequently played a more indispensible role in the social and cultural activities. With the emergence of women in the arena of poetry, the poetic language of Persian and Arabic literature lost its classical loftiness and patriarchy and it in accordance with acquiring female linguistic features took a more conspicuous tinge of softness, elegance and flexibility. Nazok Mlaekeh and Forough Farokhzad were the founders of female linguistic substructures of poetry and therefore attempted consciously to express female emotions in poetry.
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Research Paper
الادب المقارن
Farzaneh Zareei; Bahar Seddighi; Ahmadreza Haidaryan Shari
Abstract
Water' the everlasting structure of nature' embraces the noble concepts of birth' death' purification' resurrection and fertility. This ancient structure of creation for a long time deserves a special place in the nations' religions' from the gladiator falling into the water and finding eternal life ...
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Water' the everlasting structure of nature' embraces the noble concepts of birth' death' purification' resurrection and fertility. This ancient structure of creation for a long time deserves a special place in the nations' religions' from the gladiator falling into the water and finding eternal life to the sacred function of water and it's appearance in the shape of goddesses' the savior of fertility' the life and the resurrection as anahita' the Iranian goddess of water and Ishtar and Aphrodite' sami and Hebrew goddesses of love and fertility.For this reason' water has had a high frequency in contemporary Arabic and Persian literature. What necessitates writing the present article in the minds of the authors are as follows: at first the retrieval of the ancient patterns of water and the position and role of this vital element in the poetry of the mentioned poets.Accordingly' since there is no independent or Interdisciplinary or comparative study on the contemporary Iraqi poet Lamia Abbas omara' the authors of this essay aim to review the ancient linkage of water in the form of a mythical reading;The final approach of both poets associate profoundly and gracefully with water as the most venerable structure of nature and life poems with the difference that the applied patterns of water used in the thoughts of Forugh Farrokhzad represent the transformation of water negative image while the water symbolism in thr Lamia Abbas Omara poetry reflect the poet's clear' hopeful and lively attitudes toward this eternal' clean element.
Research Paper
الادب المقارن
Mehdi Shahrokh; Ali Babaei damtasoj; Soleiman Sadat Eshkevar
Abstract
Ahmed Abdel Muti Hijazi and Parvin Etesami held common views regarding social issues in their poetry. However, sometimes there are differences in their attitudes as regards their perceptions, criticisms and objections. This study is an endeavor based on the descriptive-analytical method to examine and ...
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Ahmed Abdel Muti Hijazi and Parvin Etesami held common views regarding social issues in their poetry. However, sometimes there are differences in their attitudes as regards their perceptions, criticisms and objections. This study is an endeavor based on the descriptive-analytical method to examine and compare the of city life escaping attitude in the poetry of these two great Persian and Arab poets. The results of the study indicate that the frequency of the theme of city life escaping as a social issue is not the equal with the two poets. The city life escaping theme in the poetry of Parvin is rooted in her emotions and feelings. She regards the countryside as a perfect place, a utopia. The theme of city life escaping is more manifested in her love for pastoral life than pure hatred for urban life. She uses allusion, allegory, and anecdotes as poetic devices to portray pastoral scenery and pastoral life images. On the other hand, the poetry of Hijazi plainly criticizes urban life. There are not abstruce and far-fetched allegories or annecdoetes in his poetry. The city life escaping theme is the result of his aversion to the cruelty and oppression that he experienced in the city, as well as the love he has for the countryside and its peacefulness.
Research Paper
الادب المقارن
Salah Al-din Abdi; Abozar Golzarkhojaste; Mitra KHodadadian
Abstract
Cultures of different nations were always interested in powerful forces and global governors so that they are always in thought of destroying the cultures and religious beliefs of other countries, by the way fundamental performance of imposing culture and the main task of thought colonialism is it that ...
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Cultures of different nations were always interested in powerful forces and global governors so that they are always in thought of destroying the cultures and religious beliefs of other countries, by the way fundamental performance of imposing culture and the main task of thought colonialism is it that dominated people and nations give up their own characters and transferred to run-off mass in favor of colonial and imperial countries, so cultural attacks, namely enemy, imposes the thoughtful, religious and moral assaults to a nation in order to disparate beliefs, religion and morality of same society suddenly or to prevent from required effectiveness. To know the cultural attacks and the representation methods, also its relation and affection in literature need to special practices. Two authors in field of both Persian and Arabic literatures are Jalal Al-e-Ahmad and Abdol Alrahman Hassan Habanakeh Almeydani.
The present contrastive study will be showed the motivations of these authors have been surveyed in order to turn to features of cultural attacks within two books "to be in service and betray of intellectuals" by Jalal Al-e-Ahmad and "The Prestige of Third Craft" by Abdol Alrahman Hassan Habanakeh Almeydani. Of the most important concepts of cultural assaults within two books are universities and schools, national and religious identification, partition, promoting the luxurious culture, language and press. Contrary to very similarities between their performances, there are some differences among them considerably. The method of this study is description-analyses based on American Contrastive schools.
Research Paper
Masoomeh ghahramanpour; Ali Ghahremani; Mahin Haji Zadeh
Abstract
Sohrab Sepehri, contemporary Persian poetry and Suzanne Alaywan in contemporary Arabic poetry; are among the most prominent figures whose painting elements penetrated obviously in their thoughts and poetic style. The main reason for this is issue relied on the activity of two poets in painting. The present ...
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Sohrab Sepehri, contemporary Persian poetry and Suzanne Alaywan in contemporary Arabic poetry; are among the most prominent figures whose painting elements penetrated obviously in their thoughts and poetic style. The main reason for this is issue relied on the activity of two poets in painting. The present study aims at investigating the common points among two poets based on dscriptive-analytical method and the American school of comparative literature, as well as examining the painting components of their poetry books. The result shows that the factors and elements of painting such as, writing, composition, color combination have been revealed in the poems of both poets.
