Document Type : Research Paper
Authors
1 Shahid chamran University of Ahvaz, ahvaz, Iran
2 master student in Department of Arabic language and literature, Shahid Chamran University of Ahvaz, Ahvaz, Iran
Abstract
Imagology is a critical field concerned with studying the image of the Other as manifested in literary and cultural discourses, focusing on representations of identity and mutual impressions among nations. Within comparative literature, imagology provides deeper insight into the interplay of cultural and historical images and how they are shaped through the author's perspective of the Other. This connection enhances the potential for cultural and critical analysis in literature. This research explores the most prominent images of Iranian historical, touristic, and cultural landmarks presented by Sheikh Sultan Al-Qasimi, examining their artistic significance to gain a deeper understanding of the author's relationship with the depicted locations and his portrayal of the Other. The study adopts a descriptive-analytical approach, tracing narrative scenes that construct Iran's image and analyzing them based on their aesthetic and cultural dimensions, grounded in imagological concepts. The findings reveal that Al-Qasimi presents a comprehensive and positive image of Iran in his work, portraying ancient historical landmarks that reflect the depth of Iranian civilization. He highlights the beauty of diverse natural landscapes, including coastal and agricultural regions, while also emphasizing social and cultural values such as hospitality and generosity that characterize Iranian society. These varied images constitute an imagological representation that enhances the understanding of the relationship between humans and place, contributing to cultural exchange among nations within the framework of comparative literature.
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