Artistic Device of Hybridization and its Manifestations in the Poems of Muhammad Afifi Matar and Ahmad Azizi

Document Type : Research Paper

Authors

1 Ph.D. student, Department of Arabic Language and Literature, Faculty of Literature and Humanities, University of Persian Gulf, Bushehr, Iran

2 Corresponding Author, Associate Professor, Department of Arabic Language and Literature, Faculty of Literature and Humanities, University of Persian Gulf, Bushehr, Iran

Abstract

The combination of words in Arabic and Persian can be considered to be largely due to the semantic fit between them. But in The present age, with the spread of Deviations of norms, was formed a new type of it, which manifestations a semantic mismatch in the composition of words. This kind of deviation of norms or "hybridization" was first proposed by "Mikhail Bakhtin". This research tries to search for the effects of "hybridization" and its meanings in the poems of Muhammad Afifi Matar (1935-2010) and Ahmad Azizi (2016-1958) comparatively and using descriptive-analytical method.The use of unusual combinations in the principles of the semantic structure of words has caused the poems of these two poets to be full of original literary creations. This makes it difficult for the reader to understand the meaning. Based on the classification of different semantic Scopes of words in the works of these two poets, we found that the combination of natural phenomena and human coordinates has the highest frequency compared to other combinations. This has a great impact on recognizing the attitude of the authors and enriching the aesthetic manifestations of their poems.

Keywords

Main Subjects

Article Title [العربیة]

التهجین وآلیّاته فی أشعار محمد عفیفی مطر وأحمد عزیزی

Abstract [العربیة]

إنّ مصاحبة الکلمات فی الغتین العربیّة والفارسیّة تعود إلى التوافق الدلالی بینها غالباً. لکن بانتشار فنّ التغریب فی الزمن الحاضر، تمّ تشکیل نوع جدید منه، والذی یشیر إلى عدم التطابق الدلالی فی مصاحبة الکلمات ونسیجها معاً. نشأ هذا النوع من التغریب المسمّى بـ «فاوآمیزی» فی الأدب الفارسی بتأثیر «سن جون برس» الفرنسیّ، فی أشعار شعراء نحو سهراب سبهری وفروغ فرخزاد.کما أنّ هذه العملیّة تُعرف باسم «التهجین» فی اللّغة العربیّة، والتی اقترحها «میخائیل باختین» لأوّل مرة. هذه الدراسة تسعى إلى مقارنة تجلیّات التهجین ودلالاته فی أشعار محمّد عفیفی مطر (1935-2010) وأحمد عزیزی (1337-1395) باستخدام المنهج الوصفی - التحلیلی. تظهر النتائج أنّ کلا الشاعرین قد اختارا کلماتهما من شبکات دلالیّة مختلفة مثل: الطبیعة والإنسان والحیوان والصناعة والدین لخلق التراکیب الجدیدة فی عملیّة التهجین. إنّ استخدام هذه التراکیب الغریبة والعدول من مبادئ البنیة الدلالیّة للکلمات أدّى إلى ملء قصائد هذین الشاعرین بإبداعات أدبیّة جدیدة وجعل المتلقّی یتردّد ویتوقّف فی فهم هذه الترکیبات. بناءً على تقسیم شبکات دلالیّة مختلفة للکلمات فی أشعار محمّد عفیفی مطر و أحمد عزیزی وجدنا أنّ الجمع بین الظواهر الطبیعیّة والخصائص البشریّة له أعلى تواتر بالنسبة إلى الترکیبات الأخرى. لقد کان لهذه التقنیة الأدبیّة "التهجین" أثر کبیر فی التعرّف على رؤیة هذین الشاعرین وموقفهما وإثراء التجلیّات الجمالیّة فی أشعارهما.

Keywords [العربیة]

  • التغریب
  • التهجین
  • محمد عفیفی مطر
  • أحمد عزیزی

References

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