Document Type : Research Paper
Authors
1 الدّکتوراه فی فرع الّلغة الفارسیّة وآدابها، کلّیّة الآداب والعلوم الإنسانیّة، جامعة رازی، کرمانشاه، إیران
2 أستاذ فی قسم اللّغة العربیّة وآدابها، کلّیّة الآداب والعلوم الإنسانیّة، جامعة رازی، کرمانشاه، ایران
3 أستاذ مساعد فی قسم اللّغة الفارسیّة وآدابها، کلّیّة الآداب والعلوم الإنسانیّة، جامعة رازی، کرمانشاه، ایران
Abstract
Keywords
Article Title [العربیة]
Romantic Manifestations in Mirzadeh Eshghi's “Three Pictures of Maryam” and Khalil Gibran's “Merta al-Bahani”
Abstract [العربیة]Mirzadeh Eshghi and Gibran Khalil Gibran have reflected some of the principles of the Romantic school in their works, which have led to common ground between the works of the two Iranian and Lebanese poets. This article seeks to study the differences between the three poems of Three Pictures of Maryam (Ideal) and Mirzadeh Eshghi (1) and Khalil Gibran's Merta al-Bania (2) based on the criteria of the School of Romanticism and their success rate, they are compared and examined. Naturalism, village bias against the city, freedom, dead-end, imagination, empathy, despair, despair and idealism are among the features and principles of the Romantic school that appear in the works of these two poets.The findings of this study indicate that both naturalism and its manifestations have both descriptive and narrative expression in Mirzadeh Eshghi as well as in Khalil Gibran, and this expression creates a rich and romantic atmosphere that is not a romantic kind of romanticism, but a social and revolutionary one.
Keywords [العربیة]
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