An Comparative Investigation of the element of “orientation to duty” in the Manifesting Freedom in the Writings of Mikhail Naimy and Ahmad Shamlou

Document Type : Research Paper

Authors

1 PhD of Arabic language & literature' Ferdowsi University of Mashhad, Iran.

2 Associate Professor of Arabic language & Literature' Ferdowsi University of Mashhad, Iran.

3 Assistant Professor of Arabic language & Literature' Ferdowsi University of Mashhad, Iran.

4 Associate Professor of Persian Language and Literature University of Allameh Tabatabaei, Tehran, Iran.

Abstract

It is no denying that ethics is an essential attribute of human’s social life. There is a close association between human morals, human perfection, and the human desire toward freedom. For Mikhail Naimy (a Sufi writer in Arabic literature) and Ahmad Shamlou (a modern poet of Persian literature, freedom is not independent from individuals` preferences and their will. Having that in mind, the purpose of this study is to find the value propositions and moral norms that Mikhail Naimeh and Ahmad Shamloo in the experience of freedom. This study first refers to value propositions and, then, to their common moral norms. This is followed by an analysis of how normative ethics‌ and value propositions are reflected in the writings. The findings suggest that the poets have used similar value propositions and the only element which signified the difference between the two poetries was the presentation and manifestation of these value propositions in the writing. In other words, the unity of existence is more visible and noticeable in Mikhail Naimy’s work and the ideology of love stands out more in Ahmad Shamlou’s writings. The represented discourses have, therefore, influenced how these moral propositions promoted freedom. In other words, given that Mikhail Naimy’s writings enjoy a mystical theme, these representations and manifestations acted as a path towards a spiritual liberation. Also, given that the epic discourse is the focus of Ahmad Shamlou’s work, these representations and manifestations acted as a path towards a social freedom.

Keywords

Main Subjects


Article Title [العربیة]

الوعی فی تمثیل الخلاص فی أعمال میخائیل نعیمة وأحمد شاملو (دراسة مقارنة)

Abstract [العربیة]

الأخلاق من أهم عناصر الحیاة الاجتماعیة للإنسان وهناک علاقة وثیقة بین علم الحیاة الأخلاقیة والکمال البشری وکذلک تحقیق الحرّیة والتحرّر. میخائیل نعیمة هو أحد الکتاب الصوفیین الروّاد فی الأدب العربی المعاصر وأحمد شاملو من شعراء الحداثیین المعاصرین فی الأدب الفارسی. کلاهما یرى أنّ التحرّر والحرّیة یعتمدان على إرادة الفرد ؛ الغرض من هذه الدراسة هو العثور على القیم والمعاییر الأخلاقیة التی یریدها میخائیل نعیمة وأحمد شاملو فی تجربة التحرر. یشیر هذا البحث أولاً إلى القیم ثم إلى معاییرها الأخلاقیة المشترکة وأخیراً یتعامل مع کیفیة تمثیل القیم والمعاییر الأخلاقیه فی مفهوم التحرّر. تشیر نتائج البحث إلى أنّ القیم لهذین الکاتبین والشاعرین کانت مشترکة إلی حد ما وهناک اختلاف فی انعکاس هذه القیم وفقا لخطاباتهما، فی أعمالهما. علی هذا الأساس، تصبح فکرة وحدة الوجود أکثر وضوحاً فی أعمال میخائیل نعیمة وفی أعمال شاملو، تظهر أیدیولوجیة الحب نفسها بشکل أکثر وضوحًا وقد أثّرت الخطابات التی اختارها الاثنان فی أعمالهما على تمثیل هذه المعاییر الأخلاقیة فی تجربه التحرّر. فی أعمال نعیمة، وفقًا للخطاب الصوفی، یتمّ تمثیل التحرر الروحی وفی أعمال شاملو، انعکاس هذه القیم والمعاییر الأخلاقیة، بناءً على الخطاب الملحمی وهو التحرّر الاجتماعی.

Keywords [العربیة]

  • القراءة المقارنة
  • الالتزام
  • تمثیل التحرّر
  • میخائیل نعیمه
  • احمد شاملو
Aghabakhshi, A., Afshari Rad, M. (2000). Culture of Political Science. Tehran. Published by chapar (In Arabic).
Alizade, M. (2010). About The love, New era. Journal of Social Educational Psychology (In Persian).
Dib, WA. (1915). Arabic poetry in the American diaspora. Studies and analysis. Beirut. Dar Al- Rihani (In Arabic).
Fromm, E. (2015). Art of loving, Translated by: Pouri Soltani, Morvarid. Tehran (In Persian)
Hoghooghi, M. (1996). Poetry of our time. 3rd Edition. Tehran: Negah (In Persian).
Holmes, R. (2006). Fundamentals of moral philosophy, Translated by: Massoud, Olya. Tehran: Ghoghnous (In Persian).
Jaspers, K. (n.d.). An introduction to philosophy. Translated by: Asadollah, Mobasheri. Tehran: Hosseinieh Ershad’s Magazine (In Persian).
Jeusei, S. A. (2001). Trends and movements in modern Arabic poetry. Beirut: Center for Arab Unity Studies (In Arabic).
Kafafi, M. A. (2004). Comparative literature. Translated by: Hossein, Seyedi. 1rd Edition. Mashhad: Beh Nashr (In Persian).
Mayel Heravi, N. (2002). Perfect human. Seyed Mahmoud Kazem, Mousavi Bojnordi. Tehran: The Great Islamic Encyclopedia (In Persian).  
Mohammadi Asiabadi, M. (2012). Rumi and the secrets of silence, philosophers, mysticism and silent poetics, 1rd Edition. Tehran: Sokhan (In Persian).
Molhas, S. (1964). Spiritual values in Arabic poetry. Beirut: School Library and the Lebanese House of the Book (In Arabic).
Naimy, M. (1973). Ebn Adam. Beirut: The Nofal Foundation (In Arabic).
Naimy, M. (1988). Alsaboon. Beirut: The Nofal Foundation (In Arabic).
Naimy, M. (1988). Phi gharbal gadid. 4rd Edition. Beirut: The Nofal Foundation (In Arabic).
Naimy, M. (1989). Almarahel. Beirut: The Nofal Foundation (In Arabic).
Naimy, M. (2004). Hamsolgofoon. Beirut: The Nofal Foundation (In Arabic).
Nikbakht, M. (1996). From thought to poetry (the issue of Shamlou’s poetry). Isfahan: Hasht Behesht (In Persian).
Ross, D. (2002). The Right and The good. Oxford University Press.
Seddighi, B. (2010). A comparative approach to romances according to Sheikh Jafar and Ahmad Shamloo. Journal of comparative Literature (In Persian).
Shafiq Shia, M. (1987). Philosophy of Mikhail Naeem: Analysis and criticism. Beirut: Baḥasūn al-Thaqāfīyah (In Arabic).
Shamlou, A. (2017). The collection of poems. Tehran: Negah (In Persian).
Zomorodi, H. (2004). A comparative critique of religions and myths in Ferdowsi's Shahnameh. Khamsa of Nizami and The Conference of the Birds. Tehran: Zavar (In Persian).