Readability of Mohammad Reza Shafi'i Kadkani and Fatemeh Naoot's poetry based on the theory of matter consciousness

Document Type : Research Paper

Authors

1 Associate Professor, Department of Arabic Language and Literature, Faculty of Literature and Humanities, University of Guilan, Rasht, Iran

2 Ph.D. student, Department of Arabic Language and Literature, Faculty of Literature and Humanities, Azarbaijan Shahid Madani University, Tabriz, Iran.

Abstract

Matter consciousness is a view along the lines of ontologists and modernists and the result of a series of field and laboratory research on the two categories of matter and consciousness, new dimensions of which have been considered in recent centuries. According to this theory, the realm of consciousness and perception is very wide and all objects are conscious. This theory, the main basis of which is indebted to Eastern philosophy and mysticism, has been crystallized in the works of contemporary Arabic and Persian poets, Among its followers are Mohammad Reza Shafiei Kadkani and Fatemeh Naoot. The category of material consciousness has a significant presence in the poetry of two poets and has made the minds of two poets to spread the spirit of this meaning in various events and forms today. For this reason, the readability of their poetry based on the theory of matter consciousness is one of the most important findings in the study of their poetry. The present article intends to examine the degree of compatibility of the works of the two poets with the foundations of the theory of matter consciousness. The results of this study show that Naoot and Shafi'i, while accepting the perceptibility and intelligence of the elements, discovered the relationships between objects based on systematic networks, hidden memory and intelligence, and reflected them using poetic techniques, albeit for Escape from the complexities of philosophical and mystical language have generally used tangible subjects in poetry.

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Article Title [العربیة]

قراءة شعر فاطمة ناعوت ومحمدرضا شفیعی کدکنی على ضوء نظریة «وعی المادة»

Abstract [العربیة]

وعی المادة هو وجهة نظر على غرار الأنطولوجیین والحداثیین ونتیجة لسلسلة من الأبحاث المیدانیة والمخبریة حول فئتی المادة والوعی، والتی تم النظر فی أبعاد جدیدة لهما فی القرون الأخیرة. وفقًا لهذه النظریة، فإنَّ مجال الوعی والإدراک واسع جدًا وجمیع الأشیاء واعیة. قد تبلورت هذه النظریة، التی أساسها مدین للفلسفة الشرقیة والتصوف، فی أعمال الشعراء العرب والفارسیین المعاصرین. من متابعیها فی هذا المجال، الشاعرة و الصحفیة المصریة فاطمة ناعوت ومحمدرضا شفعیی کدکنی. إن فئة وعی المادة لها حضور کبیر فی شعر شاعرین وقد جعلت عقول شاعرین تنشر روح هذا المعنى فی مختلف الأحداث والأشکال الیوم. لهذا السبب، فإن قراءة شعرهم بناءً على نظریة وعی المادة هی إحدى أهم النتائج فی دراسة شعرهما. تهدف هذه المقالة إلى دراسة درجة توافق أعمال الشاعرین مع أسس نظریة وعی المادة. تظهر نتائج هذه الدراسة أنهما مع قبول الإدراک والذکاء للعناصر، فقد اکتشفا العلاقات بین الأشیاء على أساس شبکات منهجیة، و الذاکرة المخفیة و الذکاء ، وعکسوها باستخدام التقنیات الشعریة و بالطبع، من أجل الهروب من تعقیدات اللغة الفلسفیة والصوفیة، فقد استخدما بشکل عام مواضیع ملموسة فی الشعر.

Keywords [العربیة]

  • الذاکرة الخفیة
  • اللغة الفلسفیة
  • وعی المادة
  • فاطمة ناعوت
  • شفیعی‎کدکنی
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